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Artist

  • ? katsushika hokusai (1760) 13

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Information

  • ID: 6243902
  • Uploader: tapnek »
  • Date: almost 3 years ago
  • Approver: ion288 »
  • Size: 828 KB .jpg (1600x1116) »
  • Source: commons.wikimedia.org/wiki/File:Tako_to_ama_retouched.jpg »
  • Rating: Explicit
  • Score: 50
  • Favorites: 44
  • Status: Active

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Resized to 53% of original (view original)
original and 1 more drawn by katsushika_hokusai_(1760)

Artist's commentary

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  • 日本語: 原文: s:ja:蛸と海女

    現代仮名遣い:
    大蛸: いつぞはいつぞと ねらいすましていたかいがあって きょうというきょうとうとう とらまえたア てもむっくりとしたいいぼぼだ いもよりは なおこうぶつだ サアサア すってすって すいつくして たんのうさせてから いっそ りゅうぐうへ つれて かこっておこうス 口にて ズウッズッズッ チュッチュチュッ ズウッズウッ フフフウ

    海女: アレ にくいたこだのうフフフフ ええ いっそ アレアレ おくの フフフフ こつぼのくちを すわれるので いきがはずんで アア エエモ いっく それなァ いぼでエエ フウフウ いぼでエエ フウフウ そらワレを いろいろと オオオオ アレアレ こりゃァどうするのだ アアヨウ オオオオオオ ほオオアアレエオオオオいいいい オオいいいいいい ハアアアアいいいい ハアいい フフフフウフフフフウ まただヨウ まただヨウ まただヨウ まただヨウ いままでわたしをば 人が アア フフフフ ウウウウウウ たこが たこがといったがの オオ フフ ウウウウ どうしてエ どうしてエ どうしてエ このオオ ヨヨヨウ サアデエハ アアアアアア ズウズウズウズウズウ ひちゃひちゃ ぐちゃぐちゃ じゅつちう ちゅちゅちゅ ぐうぐう スウスウ

    大蛸: なんと八ほんの あしのからみあんばいは どうだどうだ あれあれ 中が ふくれあがって アアアア ゆのような いんすい ぬらぬらぬら どくどくどく

    海女: エエ モモウ くすぐったくって ぞつぞつと こしにおぼえが なくなって フフフフウフフフフウ きりも さかいも なくの オオオオオオ いきつづけだァな アアアアアア アレアレ ソレソレ ウウウ くくく フンム フウム ウウウウ いいヨいいヨ

    小蛸: 小たこ おやかたがしまふと また おれが このいぼで さねがしらから けつの あなまで こすってこすって すいだしてやるにヨ チウチウ

    English: Tako to ama, an erotic ukiyo-e by the Japanese artist Hokusai. Translation by James Heaton and Toyoshima Mizuho, ‘Erotic Expression in Shunga‘, Kyoto Journal 18, 1991:

    LARGE OCTOPUS: My wish comes true at last, this day of days; finally I have you in my grasp! Your “bobo” is ripe and full, how wonderful! Superior to all others! To suck and suck and suck some more. After we do it masterfully, I’ll guide you to the Dragon Palace of the Sea God and envelop you. “Zuu sufu sufu chyu chyu chyu tsu zuu fufufuuu…”

    MAIDEN: You hateful octopus! Your sucking at the mouth of my womb makes me gasp for breath! Aah! yes… it’s…there!!! With the sucker, the sucker!! Inside, squiggle, squiggle, oooh! Oooh, good, oooh good! There, there! Theeeeere! Goood! Whew! Aah! Good, good, aaaaaaaaaah! Not yet! Until now it was I that men called an octopus! An octopus! Ooh! Whew! How are you able…!? Ooh! “yoyoyooh, saa… hicha hicha gucha gucha, yuchyuu chyu guzu guzu suu suuu….”

    LARGE OCTOPUS: All eight limbs to interwine with!! How do you like it this way? Ah, look! The inside has swollen, moistened by the warm waters of lust. “Nura nura doku doku doku…”

    MAIDEN: Yes, it tingles now; soon there will be no sensation at all left in my hips. Ooooooh! Boundaries and borders gone! I’ve vanished….!!!!!!
    SMALL OCTOPUS: After daddy finishes, I too want to rub and rub my suckers at the ridge of your furry place until you disappear and then I’ll suck some more. “chyu chyu..”

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    qwertyuipp
    over 2 years ago
    [hidden]

    so this is the originator of both tentacle porn and terrible hentai dialoge
    really the darkest spot on japan's history

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    Kairon
    almost 2 years ago
    [hidden]

    Good point - I went to art college in the 90s and discovered 'Urotsukidoji' at the local video store. Since then I've seen countless (more than i'd like) 'tentacle' porn from Japan and every time, probably hundreds of times asked WHY - in art history terms it seems to be the this is the first well known, if not only depiction of this kind of scenario, however how did it explode to being depicted by so many Japanese people (lets say men, though who knows, maybe some women might find the subject compelling)

    Hokusai might be the undisputed master, his 'Great Wave Off Kanagawa', reputed to be the most recognised graphic image in art history is testament to this, but he was presumably a great pervert as well - I've not read much about his biography - there is a Japanese film from the 20th century called 'Edo Porn' which I never cothered to watch, in English which suggests he was regarded as a bit of a letch. He of course paved the way for manga (first utlising the term in his student copy books) and made all kinds of other contributions - but to use the term 'darkest spot in Japan's history' probably isn't much of a stretch. However one can't help be fascinated by the image and its many spin offs, some of which are on this site I've discovered. It both disturbs and fascinates me which I suppose is one of the points of art - yet the phenomenon it inspired is certainly not art, not in the strict sense and frankly I've no idea what to make of it except to acknowledge it and sigh and wonder how free of the blight in eroticism we might be wihtout the existence of this image.

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